Jump to content

Dad3353

Moderators
  • Posts

    1,224
  • Joined

  • Last visited

  • Days Won

    221

Everything posted by Dad3353

  1. Yes, an HH Strat would be the way to go, I'd say. Have a look here; choose according to your budget ... Anderton's : HH Strats (Fender and Squier...)...
  2. Have a look here for information on this ... Adding 'series' switching to a Strat ... Strat's are wired for parallel combining of pick-ups; this gives the classic 'Fender' tones. If wired in parallel, there will be more output, but the frequencies of that output will be different (lacking in treble...). There must be a valid reason for wanting this; what inspires you to go down this route..? Maybe a Strat is not the guitar you're after..? Where does this idea come from..?
  3. Dad3353

    Hi

    Good evening, Steve , and ... Plenty to read and amuse you here, and lots to learn and share.
  4. Clean production, clean execution, nice melodic lines. A nice 'break' in the middle (could 'take off' from there, instead of continuing in the same vein..?). Shades of The Shadows meet Carlos, playing The Beatles 'And I Love Her'. Less convinced by the drums (I'm a drummer...). Altogether Clean. Thanks for sharing.
  5. Is it a Mac you're using..? If so, have you seen this..? UMC set-up for Mac ... You won't need USB drivers for Mac. Just plug in the UMC, then follow the Mac process (starts at 2:32 in the video...). Any use..?
  6. Let's try a 'step-by-step' approach. Have you seen this..? UM2 Set-up video ... It shows how to acquire and install the drivers. That'll be the first step...
  7. Good evening, TT, and ... Plenty to read and amuse you here, and lots to learn and share.
  8. Good evening, Dom, and ... Plenty to read and amuse you here, and lots to learn and share. (... but you knew that anyway, i suspect...)
  9. Good evening, C-T, and ... Plenty to read and amuse you here, and lots to learn and share. How did I find the Forum..? Just lucky, I suspect. What's good about it..? Well, it has plenty of interesting topics, a thriving Marketplace, shed-loads of fine folks keen on guitars and such, plus the added bonus of ... [Continued on Page 127...]
  10. Good evening, Gomez, and ... Plenty to read and amuse you here, and lots to learn and share.
  11. Good evening, ML, and ... Plenty to read and amuse you here, and lots to learn and share. (... but 'Shhhh..!' Don't tell anyone... )
  12. Does your practise amp not have a headphone socket..? That's your priority, I'd say: get a headset. Which one..? Spoilt for choice really, but the main criteria (apart from comfort...) is that it be of the 'closed' type, so that sound leaking out doesn't disturb others, and you're not disturbed by room noises. Budget..? I use a Superlux HD669, which costs £23.70. You can spend more, or less, but should be 'closed' for what you want. Next up is something to get the guitar signal into the PC. There are several USB interfaces, starting with a simple cable adapter (I have one from Alesis; Thomann have a Behringer equivalent at £13.90...), or, if you will be wanting later on to record with a mic, or have better control, a free-standing interface such as the very popular Focusrite models, starting at £92. Yes, you can play along to Youtube and the like, and amp sims will work (I've no idea what sonic difference there is between Custom Shop Strats and Squiers, even in the 'real' world, so, through an amp sim ...). For amp sim software, there are quite a number to choose from, too. They become expensive if you want a bit of everything. AmpliTube are about £100 a pop, or £315 for a pack of amps; there's also Waves GTR3 pack at £26. Worth looking at free amp sims, too; there are some very good ones. Best to get a rig up and running first, then ask again once you get to that stage, maybe..? There's a free, slightly cut-down, version of AmpliTube 4 which is free, and a good jumping off point. Hope this helps. Another option to consider might be this ... Harley Benton DNAfx GiT ... ... which does all you're asking for (plus the headset...) in one pedal. Worth a look..?
  13. As a musical piece, it works very well indeed. Not sure about 'The End Of The Road'; it evokes a readiness to embark on a much longer voyage. It would find its place either as the kicking off for a complete opus, or as a finale, rounding off an opus just finishing. Is there a wider framework to this..? (If not, why not..?). Shades of Curved Air in there (that's a compliment, and a rather high one...); maybe a hint or two of Jean-Luc Ponty..? Good Stuff, in any case. I'd be more than willing to listen to more of this quality. I'd also be interested in reading a 'making of' of the piece, with, perhaps, a bit of context..?
  14. Good evening, Matt, and ... Plenty to read and amuse you here, and lots to learn and share.
  15. It's 'normal' for most Gibson/Epiphone models, and has its advantages, as you've mentioned. Here's a page on the Gibson site, giving a full, rather detailed, description of what's happening, and an alternative ... 3 way switch in middle, turn one volume down, BOTH pup outputs go down. Wanna know why? ... Hope this helps.
  16. Have look here ... Thomann: 12-string guitars cases ... If you need to check dimensions, I've always found them very amenable when I 'phone with such inquiries. Hope this helps.
  17. Personally, I'm not a 'better' person, and disapprove of 'winning' in general, so 'No, I wouldn't participate in either format'. Old curmudgeon..? Probably.
  18. Good evening, Stu, and ... Plenty to read and amuse you here, and lots to learn and share.
  19. Gretsch had (have..?) a press-studded pad on the back, to avoid 'buckle rash'. The Gibson 333 has a panel on the back for pot access. It's black plastic; maybe Bakelite would give a better tone..?
  20. But that would only encourage folks to fiddle about inside 'em, instead of playing 'em, no..?
  21. This depends, up to a point, on your goals. In general, it's no bad thing to become 'flexible', and the body and brain quickly understand what's going on, and make the necessary adjustments. This is helpful further on down the line, when playing other guitars. If, on the other hand, the idea is to become virtuoso in as short a time as possible, then concentrating on one instrument will work slightly better. It becomes a case of 'painting oneself into a corner', but if the goal is to be in that corner, then why not..? Learning guitar (and other instruments...) is a medium/long-term affair. Be patient; things will happen far more quickly if you go slowly. Play one, or the other, or both; the essential thing is to play. I've several guitars and basses (disclaimer: I'm a drummer...), and go from one to the other with no qualms. OK, I'm rubbish on all of 'em, but that's down to me being rubbish, that's all.
  22. If it's 'as new', that's about the right second-hand price (new, they're twice that...). If you've tried it and it feels comfortable to you, it's a good starter guitar. Especially attractive if it's a trusted seller (someone you know, or a reputable shop...). As a guitar, they're fine. Hope this helps.
  23. There's many a slip 'twixt cup and lip..! ...
×
×
  • Create New...