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Showing content with the highest reputation on 28/04/21 in all areas

  1. For years I bought into all that "palette of sounds" bollocks until I realised I just don't love me no humbuckers, I'm' not a big Gibson guy at all, and I'd rather have three Strats with minimal differences that I regularly played than six completely different guitars most of which ended up wall-hangers. The thing is, though, player experience is a big deal. I'm equally crap on every guitar I lift, but I'll stand different with a Strat or a Tele or a whatever. Even a different colour can put me in a different headspace (hell, how and what I play is as much about the shoes I'm wearing and how rock and roll I feel. As a wise man once said, "Like Trousers Like Brain"). Difference is in the feel under the fingers rather than the sound - and I agree, sometimes just feeling a difference under your hands is all it needs to try something else, new, different, seem to improve. On the matter of PRS, while I absolutely admire their quality and skill, only the Mira and the Starla actually really appeal to me. I'm not a figured woods guy, or a HB guy. I do rate an SG over a Les Paul, so that might well help. I'm unlikely to buy any of them, but those are the ones I could see me lifting to try given an opportunity. Were I putting together a 70s-punk project, they're the kid of guitar I'd go looking for - a step away from the obvious classics, SG-like (an SG is the only type of guitar I've ever managed to get that big 'Steve Jones' Bollocks Les Paul sound out of) but with enough of a difference to not be beholden to trad guitar hero imagery... almost an edge of the Soviet era Russian electrics you see on youtube. Stuff in a couple of pickups with a bit of a Brian Setzer feel and possibly a Bigsby for that agricultural equipment as weapon vibe.... The other PRS I really like visually is that run he did on the Strat as a sig model for that young fella - Meyer? (No feelings on him either way, never heard any of his stuff tbh). Clearly built on the old 90s era EG bolt on range that were PRS' first shot at a budget line (how I chuckled at a 'budget' guitar at £900 in 1994!), but with a closer Fender look. I can't say I'd buy one (at that sort of money I think I'd rather a Fender Custom Shop - not so much for the brand as the control over the spec), but I'd love the chance to play one, and I actually really enjoyed seeing someone else so passionate and knowledgeable about guitars show off their take on such an established classic. I have no doubt the Fender CS team quickly acquired and dissected one to see what they could learn from an objective take like that. PS OP: If you like it and you won't miss the money, just buy the damn thing and enjoy!
    2 points
  2. I’m starting to come around on the Mira, especially in the frost blue metallic (although the black and tort is nice too). The slider switch still grates, though.
    1 point
  3. One of my favourite basses was a Dano '63, with a (most likely) plywood frame and a Masonite top / bottom. I think historically the frame was poplar but modern Danos have a plywood core/frame. I don't know much about Masonite, but it seems like it would be quite green and sustainable in the same way that ply is!
    1 point
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