Leaderboard

Quick update to say I pulled the trigger on the Thinline Godin. It's new, coming from the States and even with delivery and taxes will be £300 cheaper than the best price I could find in the UK!

If the nine figure lottery win ever came in, I'd order my dream trat from the Custom Shop, certainly.... but only if Fender agreed to put a Squier logo on it, because that would amuse me no end.

I went and looked it up: sorry, I think I was mistaken! It looks like, for the longest time, Strats have had tone controls for the neck and middle pickups, but not the bridge. Apparently - and I think this is where my confusion stems from - more modern Strats have the neck & middle wired to the first tone, and the bridge wired to the second. Which is...interesting...I can't imagine wanting to use that bridge pickup without being able to roll off some the treble!

I wouldn't worry: I have the same problem with Jazz basses. LOTS of players - be it people I know, or well-known bass-heroes - have played great basslines on them. But I can't seem to make the sound work with my playing style. Give me a Precision or a Thunderbird and I'll be happy as Larry, but for reasons I can't fathom, I've never been satisfied with the tones I get out of a Jazz. It's just something I've had to accept! That said, have you ever tried a "super-strat"? I've seen H/S/S setups, and twin HB setups - the former might do something for that "shrill" bridge pickup, and you still get the look and feel of a Strat.

Godin generally are very under rated as a brand. They make some excellent instruments.

I drink tea, we've been drinking tea in the family since before I was born. There is a sort of ritual to making a pot of tea, with the goal, every time, to be able to drink what we call a 'magic cuppa'. How does one create this delight..? I don't know (I wish I did..!). Our tea is excellent, and litres of it are drunk daily, but only once in a while does a 'magic cuppa' appear. Is it the water..? The 'standing' time..? The temperature of the mug..? A combination of dozens of subtle factors..? It's wonderful when one comes along; all the more so for it being a surprise. Why do I relate this..? I rather think that, with music in general, and guitars in particular, there's similar 'magic' at work. Why is it suddenly 'there'..? Again, I wish I knew. I'm of the opinion that these maestros that play so well have, each in their own way, 'cracked' the code, and are able to (most of the time...) bring out this 'magic'. How to acquire this skill..? Maybe it's in one's DNA, maybe one has to sacrifice black goats on mountain tops at midnight, maybe ... If you enjoy trying, carry on with your researches and experiments, but it's not given to everyone to have all the abilities in all domains. Keep cracking on with what you succeed in, too; there's doubtless at least some 'magic' in your other guitars that needs to be brought forth. Your call.