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ezbass

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Posts posted by ezbass

  1. 19 hours ago, Stebaz said:

    on Friday, every other guitarist played through a Boss Katana. They sounded great.

    I’ve not used one, but from what I’ve read of others’ experiences and the quote above, I reckon you won’t go too far wrong with one. However, the one thing that might be missing is the on stage ‘feel’ of a valve rig that many speak of. For my part, it’s always been about the sound. I’ve used a number of all solid state, hybrid and all valve rigs. The best sounding was an all valve one, but that was closely followed by an all solid state, I interacted with the sound not feel. YMMV.

  2. 21 hours ago, CeeCoz said:

    Thanks guys. It just never occurred to me that they would use a piece of wood with a marking like that in it. I would have thought that they would want to keep their maple fretboards looking pretty clean and a piece like that would be rejected.

    I had an original run, PRS McCarty, with a lovely flame, maple top that had some of those same streaks.

    • Like 2
  3. I haven't had any experience of the HB one, but their guitars are pretty decent (I own one of their basses), especially those with the upgraded hardware. I was in a band with a guy who used a Vintage V100 and it was very decent and the brand gets a fair bit of love on GuitarChat. All that being said, it seems that you've actually made your mind up already and saving £100 isn't to be sniffed at, as you could use this to upgrade the pickups and electronics, if needed. Just remember, when it arrives, we all want to see it!

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  4. I’ve had an itch to go full circle and acquire a classical guitar. There’s something about the sound of nylon strings that always seems so pleasant to my ears. Then I had a couple of videos come up on my YouTube feed that featured jazz being played on a nylon strung guitars, which pretty much sealed the deal. I didn’t really know what I was looking for, but a cutaway seemed like a good idea and as I had a bass to trade in, that pretty much set the budget. A little browsing on local (for a value of local, still an hour+ driving, each way) guitar shop websites and I settled on trying the Alvarez AC65HCE. This a hybrid model where the neck meets to body at the 14th fret, instead of the 12th and the nut width isn’t quite so wide. Went to Guitar Guitar in Edinburgh , tried it, sounded and felt good to me, so rather than do due diligence by trying some others, I bought it. With the trade in it cost me a whole £40, so I’m well pleased. 
     

    What’s that, where are the pics you say? Very well…

     

     

    IMG_0736.jpeg
     

    Big shout out to the staff at GG, Edinburgh, who couldn’t have been more helpful if they tried. Even after I had parted with my £s, they were quite happy to shoot the breeze about guitars and players. I’d definitely go back, despite the journey.

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  5. 10 hours ago, owen said:

    Thanks for the response. Sorry, I should have clarified. It is a much respected UK luthier who specialises in Rick-alikes. He has loaded it with Retrovibe Toaster pickups so I am presuming it is at the very least in the Rick ballpark. 

    In which case, buy one and insert it into the guitar of you choice. It might sound a bit different, but it’ll be very much in the same ballpark. Finding a different bridge pickup (should you want one) that couples nicely with it is another journey, but a fun one. 

  6. I’ve been in the audience when the guitar players were using Kempers and they sounded great. However, I have heard that on stage experience can be ‘off’ as they lack the ‘feel’ of a valve amp. For my part, I used to use a lot of Tech21 gear (still use their preamps for bass) and never felt that they were lacking in on stage feedback, so I’m I do wonder if a lot of players do a lot of hearing with their eyes. The downside with valve amps and especially vintage ones is the maintenance and their susceptibility to damage when being lugged in and out of vans, etc. in addition, eventually the supply of valves will dry up, I understand, that with the current situation with Russia, valves are harder and, therefore, more expensive to acquire. If it were me, I’d grasp the current modelling nettle and get the box I felt most at home with. This is tinged by having a buddy who uses a Kemper for guitar and bass duties and he loves it. Either that, or find a solid state amp that I really liked the sound of; YMMV.

    • Like 1
  7. 27 minutes ago, EdwardMarlowe said:

     

    If you can stretch just a tiny bit over the RRP (should be somewhere selling it cheaper than the £449 quoted on the Fender website, though) - the Limited Edition Squier Classic Vibe 60s Jaguar in silver sparkle would be a nice choice, in that being LE it won't be around forever, so it's a guitar that is sort of tied to a particular Christmas in time as well, which would be nice - https://www.fender.com/en-GB/squier-electric-guitars/jaguar/limited-edition-classic-vibe-60s-jaguar/0374092581.html 

    Ooh, that Jag looks very tasty!

    • Like 1
  8. I’d put the univibe before or after the trem pedal and the GE7 after those. As to the comp pedal, that rather depends on if you’re using as an effect (Summers/Gilmour vibe) or just to even things out. If as an effect, after the wah, if as ‘smoother’, just before the delay. But that’s just me, it’s what sounds good that matters and how all the fx play with each other.

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