Jus Lukin

Now £60!

Bump!

Great pedal for getting Marshally tones from a Fender-style amp.

Just fixed the typo in the title! 

I know, right?!

Perhaps pricing it to sell from the start wasn't wise. I can hardly whack the price up now I've paid off my credit card!

I obviously have a vested interest in saying that it's a great guitar, but it really is a good confluence of bits. Having to parts it out would be a real shame.

Just giving this a little bump.

I already went in with a crazy price- the pickups are worth the asking price alone- so I can't go dropping the price any further!

A ‘Marshall-in-a-box’ distortion, this is great for a tight, gritty dirt, a la the JCM800. Along with the three controls on the top, it also has an internal presence control for fine tuning the top end to different amps. It came with odd neoprene strips underneath, which I’ve replaced with grippy feet. I tore the label a little in the process, but the info and serial number are still present.

The pedal is in great condition, and boxed.

This is a classic analogue delay pedal, very warm and characterful.

It has all the usual controls, along with the option to send the original and delayed signals to different outputs.

It's showing a few scrapes and has some glue on the bottom from Velcro, but is in good working order and sounds great.

This is a version of the Boss PS-5 Super Shifter- I say version rather than copy, as by all accounts the shifting is actually more stable on this pedal than the original. For that alone it strikes me as odd that it has been discontinued.

It includes all the same functionality, with expression control and dual outputs to route the original and shifted signals to different channels, amps, or effects.

In as-new condition and boxed.

This octave pedal is similar to an OC-2, with that same filtered square wave voice, although I would say it is less subby, emphasising the growl rather than the boom! It has two modes, one with the standard Oct 1 and Oct 2 controls, the second mode swaps the Oct 2 for a drive, which is a thick, gritty fuzz, great for synthy sounds, and it can be used without the sub octave, too.

While at first glance it looks like an OC-3, is doesn't have the poly mode, I think because it is analogue.

It shows some signs of use, but is in decent nick over all.

The Behringer Filter Machine is a copy of the Line 6 Otto Filter, both now discontinued, oddly, as they are about as flexible as a filter pedal comes.

Alongside the usual controls for sensitivity, sweep range, and resonant peak amplitude, it also has the option of Low-Pass, Band-pass, or High-pass filters, and the choice of an upward or downward sweep.

Condition is as-new, and boxed.

The classic CE-5! This chorus is a good balance between the warmth of earlier choruses, with some of the pristine clarity of more modern devices. This is the earlier, analogue version, which would normally be a selling point, but by all accounts, the later digital iterations sound identical!

The effect level control affects the modulated sound so it can be blended with the original signal to taste, it has the standard rate and depth controls followed by an EQ filter for just the modulated signal to remove low and high frequencies, which makes for a lot of control over the tonality, for subtle or totally wild sounds. It does have a stereo function, although this sends the original and modulated signals to the separate outputs, which makes for further tweaking of the sounds individually if desired.

The paint is a little tatty but the pedal is in good working order.

It's a Bassballs!

You probably know what this sounds like- if not it's tough to describe! It's two envelope filters, but very squelchy and funky, with a wild, gurgly distortion. 

This in an MXR Carbon Copy analogue delay pedal, boxed and in great nick.

It has the usual controls for delay time, number of repeats, and blend, and has a button to modulate the delayed signal. The longer the delay time the darker the repeats, and the pedal will self-oscillate for some end of set madness, while the guitarist sets fire to his amp and the drummer smashes his kit up.

This is an Aria MAC guitar.

Slim neck with flat fingerboard and low action, set up with .010s.

The pickups are a Seymour Duncan Lil' 59 in the neck, Dimarzio Virtual Vintage in the middle, and a Kent Armstrong PAF, all of which sound great. The switching is the standard 5-way, although the neck and middle are out of phase which is very useful for recording- simply reversing the wires on the neck pickup would give a more usual mid-neck selection. There is also a mini switch, currently unused, but could be wired for coil split/tap or phase.

The Strat style vibrato is currently blocked, but the vibrato arm is included, along with the factory allen keys.

It's in great nick although some of the gold plating on the hardware has worn a bit, shown in the photos. Unfortunately it is hard to capture the colour with my poor photography skills- it is a very deep, translucent ruby red, but the camera lightens it somewhat!

The guitar is very light, and I have boxes and packing material for sending.

A really slick playing guitar, and the pickups alone are worth the asking price!