Jump to content

Search the Community

Showing results for tags 'dreadnought'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • THE LOCAL
    • Introductions
    • General Discussion
    • Events
    • Site News
    • Site Issue Reporting
  • GEAR
    • Guitars
    • Amps and Cabs
    • Effects
    • Accessories and Misc
    • Repairs and Technical
    • Gear Porn
    • Build Diaries
    • Guitarchatters' Reviews
  • PERFORMANCE
    • Recording
    • Theory and Technique
    • Learners
    • Gigs
    • Musicians Wanted
    • Groove Library
  • GUITARCHAT MARKETPLACE
    • Guitars For Sale
    • Amps and Cabs For Sale
    • Accessories For Sale
    • Effects For Sale
    • Recycling
    • Feedback
    • Tutors Available
    • Affiliates

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Found 2 results

  1. Having been beset with dreadnought GAS for quite a while, I delved into what I actually wanted despite being wowed by a Yamaha trans-acoustic . It had to be 24.75” scale for comfort, mahogany back and sides for that nice midrange (I have a rosewood folk sized guitar for that deeper tone, very much suited to fingerstyle) and sound good of course. Research led me to the ‘inspired by Gibson’ range by Epiphone. These are built from solid woods, more attention detail and a very thin, semi-gloss finish. The two in the running were the J45 and Hummingbird. I trotted off to Dundee with the two acoustics I already own for comparison (no point buying something that does the same as you already have), pretty sure that it would be the Hummingbird, which I’d gleaned from the YouTube videos I’d watched. I started with the J45 and was immediately mightily impressed, it knocked spots off my run of the mill Epi EJ200 and I thought I may have been hasty in my preconceptions. Then I played the Hummingbird, within one strum I knew that this was what I was looking for. It had the same playability as the J45, combined with a wonderful, vibrating feedback from the back of the guitar, but with a really sonorous low end lacking in the J45 (which is designed not have this apparently). I played a few things on it and compared it to the EJ200 and my Simon & Patrick Rosewood Folk Pro, but it was unnecessary, I was hooked from the get go. Yes, it needs a little setting up and a string change (kudos to Kenny’s for not even blinking when I asked if they’d throw in a set of strings and for their sterling service altogether), but I think we’re going to be very happy together. What’s that I hear you say Very well…
  2. Kinsman Premium Guitar Bag - For Dreadnought/Jumbo Acoustic Guitar Excellent condition in full working order. RRP £60-£70 new. Durable 1200 Denier heavy duty fabric, stylish black & grey two-tone contrasting design. Detachable soft block neck support. Outer body cover with super-size zipped padded magazine/music pocket. Concealed outer body net accessory pockets. Neck accessory pocket ideal for tuners/strings High quality durable 6mm zippers with Kinsman® metal pull tags. Padded adjustable shoulder straps Shoulder strap tidy for use when carrying by hand. Padded wrapover comfort handle with Velcro® fastening. Hanging loop with metal spring clip. Collection from South Woodford, London, E18. Social distancing & masks to be strictly adhered to.
×
×
  • Create New...